Yes, I've been having a busy summer. Yes, I feel bad for neglecting this blog. Yes, I've kept writing my twice-monthly column for the San Francisco Theater Pub site. Here's a link roundup of my pieces from May through July.
May 14, How Theater Became a Good-Girl Pursuit: an attempt to figure out how "theater went from being considered on par with prostitution, to being considered on par with the chess club," as my editor put it.
May 28, Forewarned is Forearmed: by popular demand (i.e., I asked my Facebook friends what I should write about, and they suggested this topic), I wrote about the contentious subject of trigger warnings, and what place they might have in theater.
June 11, She Submits to Conquer: as part of the ongoing conversation about gender parity in theater, I revealed the inspiring submission statistics for the Pint-Sized Plays, the short-play festival I'm producing this month. The gender breakdown of submissions was 60% female, 40% male, and the festival lineup also reflects that ratio. I also offered some ideas for "best practices" that will encourage women to submit. (Also of note, American Theatre magazine linked to this article on their Facebook page!)
June 25, Give Him A Great Big Kiss: about taking on my first acting role in seven years, sexy secretary Elsa in The Desk Set, rehearsing my first stage kiss, and playing a sexpot when I tend to consider myself a nerdy late bloomer.
July 9, The Tech Set: a brief column listing all of the seemingly ridiculous things that people discuss at tech rehearsal, especially when it's a show with as many props as The Desk Set! As a side note, this was a conscious attempt to write a column in the style of Allison Page, my smart and hilarious fellow blogger (and The Desk Set's leading lady).
July 23, My Dance Card Is Full: I basically took the week off from writing my column, though I did submit a picture of me in costume for my minor role as a business journalist in The Desk Set.